11 Friday May 2012
Posted in Video
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The Cloudscape Comics mockumentary of “Ron Vark,” Vancouver’s most influential, most controversial, and most insane comic artist. Written by myself, directed by Amy Fox, acted by Cloudscape members.
Warning: Contains strong language.
12 Thursday Apr 2012
Posted in Link
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Here’s an interesting document that discusses the merits of Goolge+ vs. Pinterest for marketing your business: Google+ vs. Pinterest.
11 Wednesday Apr 2012
Posted in Interview
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I created a video with the aid of David Cooperstone that showcases my writing and editing services as well as providing various testimonials about my work:
18 Sunday Mar 2012
Posted in Link
One fascinating thing about the Web is how it continues to redefine how people express ideas and how companies connect to people. Many jobs and roles that have existed for a long time in the “real world” become subtly changed when brought into the Internet environment and many of these jobs have developed their own Net-specific variations and permutations. That’s one reason I find it so fascinating to write for the Web. It is such a dynamic medium and constantly redefines how companies discuss themselves and their products and relate to their potential audience.
One job that has become pivotal in the Internet age is that of brand journalism, which is one of the many hats I wear. Here’s an interesting article analyzing it:
“Brands now have the ability to bypass the traditional press and tell their own story in their own voice in a unique and compelling way. As I see it, good content isn’t about storytelling; it’s about telling a true story well.
Unfortunately, many businesses don’t tell their story well. In our recent survey of more than 1,000 B2B marketers (conducted with the Content Marketing Institute), we found that creating compelling content is the biggest pain point for businesses. Which is why I favor the idea of hiring or contracting content creators who function within your company as embedded brand or corporate journalists….”
For more on this article, see “Seven Reasons Your Content Marketing Needs a Brand Journalist.”
26 Sunday Feb 2012
Posted in Link
I’m the featured vendor for the Studio’s February 2012 newsletter.
Here’s what it says about me:
Bevan Thomas
Bevan Thomas is a freelance writer and editor who works with numerous clients to present their documents and other text in a clear and engaging format. He has revitalized websites, written press releases and advertisements, and even developed scripts for graphic novels and television shows.
Among his various projects, Bevan has:
* Created and edited copy for numerous clients of Personae Concepts, a Vancouver communications company.
* Wrote the press release for the Viscera Film Festival.
* Scripted a one-page comic strip ad for STUD underwear.
*Developed Cloudscape Comics‘ web content and optimized it for search engines.
* Wrote stories for Cloudscape‘s graphic novel anthologies.
* Developed a television pilot that is currently being optioned by a producer.
* Blogged for Broken Frontier, a comic news site
A consummate storyteller, Bevan devotes much of his free time to writing comic books and teleplays, and engaging in improv acting. He is never happier than when telling tales or building worlds.
Bevan’s wide experience with both copy and storytelling projects has allowed him to combine a crisp and focused writing style with an engaging sense of narrative that keeps the reader interested and involved. He always strives to present his client’s information creatively and compellingly: he has turned advertisements into comic strips, used anecdotes to introduce web content, referenced urban legends in press releases, and incorporated other innovative material to capture the readers’ attention.
“Making sure your writing says what you want it to say.”
29 Sunday Jan 2012
Posted in Interview
(originally appeared on the Cloudscape website)
For the first half of the interview with Jeff Ellis, see part 1
“Who would you call your biggest artistic influences?” I asked Jeff Ellis.
“I used to be totally obsessed with Mark Bagley and John Romita Jr., really impressed by their work ethic,” Jeff replied. “I’m probably the most stylistically influenced by Steve Rolston. I was actually in the comic store when Steve got his acceptance letter from Oni; me and Steve both used to buy our comics from ABC Book & Comic Emporium.”“It must have been a real coup then, for Steve Rolston to illustrate the cover of Cloudscape’s fifth anthology, 21 Journeys.”
“Yeah, that was awesome.” Jeff grinned.
“Frequently your art reminds me of Phillip Bond, similar energy, visual clarity, and round, expressive figures,” I said. “You know his work? He’s done a lot of stuff with Grant Morrison, such as Kill Your Boyfriend and Invisibles.”
“I know of him, yeah. I think Steve was influenced by Phillip Bond, and I was influenced by Steve. Craig Thompson and Chris Ware are also big influences for my art.” Continue reading »
26 Thursday Jan 2012
(originally appeared on the Cloudscape website)
At one of Cloudscape Comics’ Wednesday meetings, I sat down to chat with Jeff Ellis, the organization’s founder, as around us numerous fellow cartoonists worked on their own projects.
In many ways, Jeff’s appearance captures the archetype of the “geek” in the best possible way; a slim, bespectacled bright-eyed man with a mouth rarely far from a gentle smile. He is approachable and unassuming, even shy, and yet when he speaks, his words are confident, thoughtful, and earnest. Dedicated to his own projects, but always interested in the works of others, welcoming to new associates but always loyal to old ones; perhaps he above anyone else embodies the creativity and openness of Cloudscape.
“You’ve spent most of your life in Vancouver?” I asked.
“Yeah. I grew-up here. Though I did live for two and a half years in Japan, from 2004 to 2007.”
“What made you decide to go to Japan?”
At this question, Jeff dropped his gaze in slight embarrassment. “I wanted a fresh start.”
“A fresh start?”
“I’d graduated from college,” Jeff began, “a three-year program in graphic design, and couldn’t find a job. Any art job, I mean. I was working retail and was sick of it; I wanted a change. A friend of mine had gone to Japan before and had found it easy to get a teaching job; so she suggested I give it a shot.”
12 Friday Aug 2011
Posted in Monsters
Hey, I’m back with another Monster Name Game, where I take a picture and name of a classic Dungeons & Dragons monster and create a totally new 
monster from it. Because I love a challenge, I’ve decided to go with the flumph, a strange jelly-fish monster who was the only “Lawful Good” creature in the classic Fiend Folio book. The creature has long been derided by D&D fans, both for its strange appearance and for the incongruous alignment. What is so benevolent about these floating jellyfish? Do they rescue maidens? Heal the sick? Always pay their taxes on time? What good deeds do jellyfish perform?
So what direction could I go based on their appearance and their name, which sounds like it’s being spoken by someone with his mouth full of marshmallows? Just to make things extra difficult, how about I keep the “Lawful Good” alignment. Whatever kind of creature my flumph is, it’s benevolent.
Well, what do I think of when I see a bizarre tentacled creature with a peculiar name? Aliens. Now fantasy fiction is not generally big about visitors from another planet, but what about visitors from another universe? Some extraplanar entities who have phased into our reality for some special purpose. What if the flumph is like those benevolent “star-brother” aliens you often get in stories? The ones who show-up to deliver some message of peace to humanity or perhaps to supply use with knowledge that will improve our lot as a species. The flumph look so strange because they are inhabitants of a higher plane of existence, one where our heavy, clumsy bodies would not function. They’re not angels, not servants of a divine power, but simply a more self-aware kind of being than us who has watched us for a long time and sometimes given a helping tentacle. They almost treat us like we were their little siblings to be taught and protected, though they are aware that us mere four-dimensional beings often respond to the strange with fear and hate, so the flumph generally keep their appearance known to only a deserving few.
What’s interesting about them being extra-dimensional beings is that then their strange appearance and goofy name makes sense. Their universe is different from ours, and their views of what’s beautiful are different as well. To each other, the flumph appear handsome and heroic, and their species name is grand and noble. It shows the jarring contrast of the two universes that we have a hard time taking the flumph seriously.
“Do not be afraid, young one. We come in peace. We have much to teach you.”
21 Thursday Jul 2011
Posted in Self-Reflection
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Every Wednesday, I hang-out at the local coffee shop with the rest of Cloudscape, a collective of BC comic book creators. These regular meetings are to announce particular Cloudscape events, as well as to work on artwork and chat with other artists. Unlike most of the other members, I’m mainly a writer, and so I don’t spend my time sketching and generally have a hard time focusing on my writing during group meeting. Because of that, I spend most of my time circulating, talking to various members and taking a look at their work.
It’s fascinating to watch art be produced by a variety of artists, to see each one ponder their creations, choose an image, cross that image out, find a new one, move on to part 2 they’re satisfied with part 1. Each artist has his or her own particular style: there’s the Canadian manga artists, the more realistic ones, the graduates of animation school with their simple vibrant designs, the underground artist, the guy who’s style was influenced by Mayan art…. So many styles, so many creations.
I’ve worked with many of them myself, collaborating on various projects. There’s a joy in seeing one’s ideas given form and body thanks to the work of another. Something magical happens, a transmutation, an alchemical marriage, where the combined result is better than the some of its parts.
13 Wednesday Jul 2011
Posted in Monsters
There’s a game my brother Ian likes to play: he flips through some old role-playing book of monsters, randomly puts his finger on one of the creatures, and then invents a totally new being based only on the existing monster’s appearance and name.
Fairy Dragon
That’s fun. Let’s try it. Flipping through my Advanced Dungeons & Dragons 1st edition Monster Manual II, I come to the Faerie Dragon, a grinning little reptile who unlike other dragons has butterfly instead of bat wings. The normal D&D version is a precocious little pixy who bobs along some sylvan forest, playing magical pranks on any mortals who stumble through and breathing out a fog that knocks people into a euphoric stupor. Certainly that’s one way to interpret a dragon of the fay world, but right now I’d prefer to go a little darker.
Depending upon how you interpret the term, giants can be classified as fairies: they’re nonhuman beings, often with supernatural powers, who inhabit lands away from human civilization. And if so, then the greatest “fairy” dragon was Fafnir from Norse mythology, a giant who murdered his family for their treasure and then turned himself into a huge dragon to be better guard it. In some versions of the story, his transformation was on purpose, but in others it was that the treasure’s curse twisted his own greed and made him into a monster against his will.
So what if that’s a fairy dragon? An ancient fairy lord, some elf king or giant chief or satyr elder whose power, greed, and wickedness become so great that he degenerates into a ravenous monster. He still keeps court in his castle, but now his subjects have to contend with an impatient monster who will swallow them whole if displeased and who desires more and more: more food, more gold, more playthings.
Fafnir breathed fire, but for our fairy dragon, let’s pick something a little more unusual. Fairy powers are frequently illusions, so perhaps the fairy dragon breathes out a gas that causes hallucinations that dance before a person’s eyes so that they believe themselves to be beset by monsters and cannot tell friend from foe. A sadistic trickster, the fairy dragon giggles in glee as its enemies murder each other, each believing themselves to be defeating one of the dragon’s slaves.
The fairy dragon maintains all its power from before its transfiguration: the elf king’s magic, the giant chief’s strength, and as well is a master shape-shifter. It can change its size, become different creatures, even take on the fey form it had before it became a monster. Subtle and manipulative, the dragon often uses its shape-shifting to infiltrate groups, spreading discord and dividing its enemies. However, taking on such forms requires a lot of focus. The moment the monster’s concentration slips, such as when it loses its temper, it becomes a raging dragon again.
The fairy dragon looks more or less the same as how D&D depicted it, except much bigger. Its smile, while originally gentle, is now mocking and sardonic, while its butterfly wings create a hypnotic whirring as it flies through the sky. People look up and can’t take their gaze off the wings’ patterns as the creature descends upon them.
Beware of fairies who become dragons….