10 Greatest Horror Comics

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My 10 greatest horror comics (in no real order):
  1. MW by Osamu Tezuka
  2. From Hell by Alan Moore & Eddie Campbell
  3. Uzumaki by Junji Ito
  4. Beautiful Darkness by Fabien Vehlmann & Kerascoet
  5. Black Hole by Charles Burns
  6. Through the Woods by Emily Carroll
  7. The Sleep of Reason by various artists
  8. Hellblazer: Dangerous Habits by Garth Ennis & Will Simpson
  9. Hellboy by Mike Mignola
  10. Swamp Thing: American Gothic by Alan Moore & Steve Bissette.

As with previous lists, I’ve generally tried to avoid a series that runs on for a long time, as that’s hard to properly judge (Hellboy being the one exception). Which is why I specifically picked the best Hellblazer and Swamp Thing story. As much I was tempted to, I didn’t include Warren’s Creepy and Eerie, because, though they had many awesome stories, they also featured many that weren’t so great.

Writing my current novel

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So here I am plugging away at my current novel — an occult mystery set in Victoria, BC, exploring a lot of the city’s urban legends. It’s one I’ve been involved with, on and off, for a year. Sadly, various things keep coming up to distract me from it: work, the regular chores of life, other writing projects that seem a little more time sensitive.

I just finished editing a fantasy novella (in the process changing the place from being Italian Renaissance-inspired to Ancient Egypt-inspired), and rather than patting myself on the back and giving myself some time off to celebrate, I leaped back into Guardian of the Garden City. Because I need to get that done. I’m in a place where I feel I can’t rest on my laurels. I can’t enjoy my successes but have to push forward to the next success. I have to keep going.

In the last year, I have:

  1. Won the Gene Day award for an anthology I edited, planned, and co-wrote: Epic Canadiana #2. 
  2. Finished the aforementioned Egyptian novella.
  3. Got a comic about sasquatches (drawn by the amazing Eric Johnson) published in Pulp Literature
  4. Seen Cloudscape’s latest anthology, Bones of the Coast, do phenomenally well in Kickstarter. Oh, and I have a story published in that too!
  5. Oh, and I have been running Unknown Armies, my favourite rpg of all time, and the players seem to be really enjoying that.

So, most people have been telling me that creatively I seem to be having a decent amount of success. It’s not like I’m in a rut or anything. And when I see that list, it looks pretty good. The whole world seems to be going to Hell (Trump, Brexit, the death of Umberto Eco), but I seem to be doing okay for myself.

And yet… emotionally I still do feel like I’m in a rut. That I can’t accomplished what I need. I still focus on what I didn’t do, not what I did do. I don’t focus on the fact that I got “Curse of the Woods” published in Pulp Literature, but on the fact that it’s the only thing I got published in a magazine this year. I don’t focus on the fact that I finished editing Servant of the People, but that I have not yet finished writing Guardian of the Garden City. It’s not that everyone seems to have a good time at my Unknown Armies games, but that I often feel the adventures do not have as good an arc as they’re supposed to. I can recognize what I’m doing intellectually, but it’s hard to respond to that emotionally.

I read a really interesting interview on the Mental Illness Happy Hour, where the comedian Paul F. Tompkins was interviewed about his depression. He pointed out that it’s impossible for all our wishes to be granted, and if somehow they were, we’d go insane and just demand further and further things. We’d become Howard Hughes walking around with boxes for shoes, Salvador Dali demanding giraffes, all the rock stars filling their mansions with drugs. All their sane wishes came true, so they had to start focusing on insane ones. The key to happiness to learn how to be satisfied with what we have rather than always wanting everything to be perfect. Because if somehow things became perfect, our brains would break.

It’s something that’s much easier to accept intellectually than emotionally.

The 10 Greatest Superhero Graphic Novels

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Now that I’ve given the 10 greatest graphic novels in general, here are perhaps the 10 greatest superhero ones (in no particular order).

  1. Zot! (black & white) by Scott McCloud
  2. The Bulletproof Coffin by David Hine & Shaky Kane
  3. All-Star Superman by Grant Morrison & Frank Quietly
  4. Watchmen by Alan Moore & Dave Gibbons
  5. Enigma by Pete Milligan and Duncan Fregredo
  6. Dark Knight Returns by Frank Miller
  7. Animal Man by Grant Morrison and Chas Truog
  8. V for Vendetta by Alan Moore & David Lloyd
  9. Hellboy by Mike Mignola
  10. Batman Year One by Frank Miller and David Mazzucchelli

For the most part, I tried to avoid long-running series, and instead focus on comics with a single story (Hellboy and Animal Man being the two major exceptions). I also tried to restrict the amount of Grant Morrison and Alan Moore comics on the list, as they have both written a very large amount of great superhero comics, and could easily envelop this if I let them.

The 10 Greatest Graphic Novels

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So, for the curious, here is my list of the 10 greatest graphic novels of all time in no particular order:

  1. Maus by Art Spiegelman
  2. Fun Home by Alison Bechdel
  3. MW by Osamu Tezuka
  4. The Sculptor by Scott McCloud
  5. From Hell by Alan Moore & Eddie Campbell
  6. Persepolis by Marjane Satrapi
  7. The Metabarons by Alejandro Jodorowsky & Juan Giménez
  8. Epileptic by David B
  9. Contract with God by Will Eisner
  10. The Adventures of Luthor Arkwright by Bryan Talbot

In forming the list, I have enforced the following rules:

  1. It has to be a narrative. An autobiographical narrative is fine, but is still must be some form of a story. Which means, for example, no Understanding Comics.
  2. It must be a story contained within a single book. I find it so hard to judge the overall value of something that extends over 6, 10, or 20 volumes — the quality of such a work can vary so much. Sadly, that is why there is only one manga on this list (MW).

I must admit that I am dissatisfied with the dearth of manga here. Probably means I should read more one-volume mangas. But I feel that this does give a nice variety of genres: one fantasy (The Sculptor), one drama (Contract with God), two horror (From Hell and MW), two science fiction (Metabarons and Luthor Arkwright), and, of course, four memoirs (Maus, Persepolis, Epileptic, and Fun Home), probably the most important graphic novel genre.

All of these works are powerful pieces that I feel define the medium and push it in some very powerful directions.

What I’ve been doing

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So it’s been a loooooong time since I’ve posted here. When I’m teaching to make money, working with Cloudscape Comics, writing my own comics, writing a couple of novellas, and even running an Unknown Armies rpg, it’s hard to make time for other things as well.

But anyway, as horrible as 2016 seems to have been for everyone else (the death of numerous actors and musicians, the death of Umberto Eco, Brexit, the rise of Trump), it has actually been pretty good for me. I got a comic published in Pulp LiteratureEpic Canadiana (which I designed, edited, and wrote a couple of stories for) won the 2016 Gene Day at the Joe Shuster Awards for excellence in comics, and Cloudscape’s latest anthology, Bones of the Coast, is current heading to the printers. So that’s all exciting. I’ve been getting involved in all sorts of lovely projects even if the rest of the world is spiraling into the Abyss. Does that balance everything out?

Anyway, exciting things have happened and more exciting things are currently in the works.

So much stuff to do

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When I was a kid, I felt like there was so much stuff coming at me from all directions: English homework, Math homework, Socials homework, etc. I think that I felt that once I reached adulthood, things would calm down and there wouldn’t be so much stuff all at once.

Obviously that has proven not to be the case. Being an adult is nuts. This seems especially clear right now, where I currently have to (deep breath):

  • Go through my very busy work schedule
  • Move to my new apartment
  • Work on various Cloudscape Comics stuff
  • Send-off copies of my new anthology Epic Canadiana to all contributors
  • Find time to work on a science fiction short story
  • Send-off pitches for my pirate comic
  • Clean and do the dishes
  • Do various other things I can’t remember right now.

Yeah, it’s a lot of stuff. I really envy my 12-year-old self right now. But on a positive note, here’s a picture of Epic Canadiana #2, my new anthology of Canadian superhero comics, edited by me and with stories by me and numerous other great writers and artists. Go team!

epic canadiana

It’s been a weird few years

Over the last few years, I’ve gone through some dramatic changes. One prominent example is that I’m not really doing much copywriting for clients anymore. As a result, I’ve now changed the focus of this website to be about my more personal writing projects, such as the anthologies I do with Cloudscape Comics and my speculative fiction. I’m keeping my copywriting portfolio, but other than that have dramatically reorganized everything. I’ll also be using this blog more to keep people abreast of the stuff I’m working on.

Interviews I’ve arranged

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As a board member of Cloudscape Comics, I’m heavily involved with promoting our anthologies as well as our brand as a whole. As part of that, I’ve arranged various interviews for Cloudscape with such prominent media outlets as the Georgia Straight, the Vancouver Courier, and the CBC. To read them, visit the new Media Interviews section of my website.

Vancouver B Movie Factory: Episode 4

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The last few months have been very busy with various projects so I sadly haven’t had too much opportunity to check in on this website. One project that was especially unusual was helping to create an episode of the Vancouver B Movie Project. This team of aspiring movie-makers creates a short movie every week, and each month, the process of creating one of these movies is televised on Shaw TV. The movie-makers of the B Movie Project joined forces with artists from Cloudscape Comics to create a multimedia story that shifts back and forth between live-action performances to stylistically-drawn comic panels. Take a look!

Importance of Balance

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One of the constant things in my life, in the lives of many freelancers, is the constant quest for balance. I, of course, have a lot of work I need to do for my clients, but I also have work I need to do branding and networking my own business, work I need to do for Cloudscape Comics, personal writing projects, an d networking with other creative individuals. That’s a lot of stuff on my plate and it’s hard to feel happy about accomplishing any one of them when there’s always so much more on the list yet to do. I may have finished a website for a client but my blog is out of date, I have five business contacts to reconnect with, I haven’t looked at my novel in a month, and I need to read a book before I return it to a friend. How does one deal with all that?

The most common recommendation people give is setting aside particular times or days for particular activities. Most of my networking and personal branding is done the morning. That’s when I like to meet with clients, attend events, answer my emails, work on my blog. Of course, sometimes that’s not possible and the afternoon or evening will have to do, but whenever possible I choose the morning.

Then I have lunch and after lunch, that’s when I do work for clients. I write their websites, plan their commercials, edit their brochures, and what have you. If I’m lucky, all of that will be done by dinnertime and after dinner I’ll be able to work on my more interesting creative projects – comics, my novel, scripts or what have you. And then if I’m really really lucky, I get to read for an hour or two before bed.

Then Friday evenings and most of Saturday or gently put aside for spending quality time with my girlfriend while all of Sunday (and sometimes Saturday evenings) are once again put aside for creative projects.

This isn’t a perfect system and various times I’ve had to switch things around but as a whole it’s working out okay.

I’ve found the most useful part is giving myself particular blocks of time in which I need to be working on particular tasks. For example, requiring me to devote four hours that afternoon to a person’s website or three hours to a brochure. I find my intention is much more focused on an assignment when it’s within these proscribed hours and I’m also less distracted by other stuff. And then when I’m finished, I can turn to something else with a much clearer mind. It’s one of the most important lessons I’ve learned when figuring-out how to best develop myself as a freelance writer.

That and to treat myself as a client who deserves as much attention and effort as my other clients. Sadly, scheduling time to work on my own business and making sure I’m not sacrificing that to meet my other demands is something I still need to work on.